In this Relief-object series I work with colour, precious mediums and the body.
From the square base, a convex, circular elevation rises into space, carrying the colour — supported by a shaped, curved form.
This form carries an immediate, physical presence. It is read instinctively — as body, as fullness, as something that holds the potential of becoming.
What interests me is perception itself — how we see, and how what we see is formed.
In this moment of recognition, we also become aware of how quickly meaning appears, how deeply our seeing is shaped by memory and conditioning. The work opens this space — gently, but precisely.
I work here with 24-carat gold leaf and white pigments on a resin body form. The process of applying the gold leaf is slow, almost meditative. Gold is not simply a colour — it carries its own light, and with it a sense of depth, of time, of something ancient. It grounds the work.
Across the curved surface, the reflection is never still. It shifts with movement, with light, with the position of the viewer. The work begins to breathe.
The clarity of the form allows something to open: the object becomes a threshold — between image and body, between seeing and sensing.
As it extends into space, it enters a relationship with its surroundings, subtly modifying how a place is perceived and felt — through light, reflection, and the quiet expansion of form.
