In this series, I work with circular segments inscribed within squares and rectangles, unfolding them into a continuous wave structure. Through repetition, a rhythm emerges — a movement that carries itself across the surface, segment by segment.
I hold this movement with colour. Saturated, intense, and deliberately placed, it amplifies the presence of the wave as a field of pulsating energy.
When I align works — vertically or across a sequence — the image expands into a larger motion. A sinus-like curve appears, not as a diagram, but as a lived gesture. In extended compositions, such as grid-based arrangements of multiple squares, I use alternating light and dark elements to create a flowing structure that resonates with natural currents — recalling water, flow, and the quiet intelligence of movement in nature. This series began during a phase when my painting moved between expansive colour fields and rising, falling wave motions — like the sea. I was drawn to the meeting line of horizon and body — where sky, land, and water touch — and to how this line carries a subtle curvature. Everything at the horizon bends.
In these works, I bring complementary colours together within that curvature. They press into each other, like forces in dialogue.
At the same time, the wave carries a deeper impulse for me: the force of a birth contraction. A gathering of energy, a concentrated push, followed by release. Expansion and return. Tension and letting go.
For me, the wave becomes a primal form of grounded movement — a passage that leads into new presence.
